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American Movie

Women at Work

The Daily

Mar 19, 2021 We’ve been watching and reading about films by Cecilia Mangini, Cheryl Dunye, Claire Denis, and Nina Menkes.

March Books

The Daily

Mar 18, 2021 The range this month is wide, from Tsai Ming-liang to Ida Lupino, from Tobe Hooper to Josephine Baker.

Mar 16, 2021 In Céline and Julie Go Boating (1974), play is a life force, pleasure a form of liberation. Drawing inspiration from cartoons, Hollywood musicals, and the vaudeville shenanigans of early screen comedy in the vein of Buster Keaton and the Marx...

Mar 12, 2021 This week’s round features Merawi Gerima’s conversation with Ephraim Asili, an early talk with Claire Denis, and the greatest performances of the twenty-first century.

Mar 10, 2021 For about five minutes in Alan J. Pakula’s The Parallax View, the lights go down on our movie and we’re shown another—an increasingly deranged propaganda short designed to suss out whether someone is Parallax material. That is to say, an...

Mar 9, 2021 “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...

Mar 5, 2021 This week offers a new magazine, conversations with Guy Maddin and the great women filmmakers of the 1970s, and a new restoration of a Hong Kong classic.

Feb 25, 2021 Channel Calendars Giddy up, movie lovers! This month on the Channel, our Black Westerns series leads the charge, highlighting films that have challenged the myths of the Old West to tell the stories of African Americans on the frontier. And...

Feb 24, 2021 Hollywood is the unofficial ministry of propaganda for the United States. Newcomers to this country typically begin their process of Americanization well before they arrive, having been exposed, for quite some time, to the long-distance bombardment of American blockbusters. In...

Feb 24, 2021 He never really pushes that cart, does he? Despite the film’s title, Ahmad (Ahmad Razvi), the mournfully persistent protagonist of Ramin Bahrani’s 2005 debut feature, Man Push Cart, is almost always seen pulling his cart through the nighttime streets of...

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