The Criterion Collection
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.
Essays
Nov 25, 2014 — More than just observational, Les Blank’s sensual documentaries are personal and participatory celebrations of American culture.
Features
May 14, 2014 — The author recalls his meetings and correspondence with the uncompromisingly independent British director.
Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.
Essays
Dec 16, 2013 — Here at last comes the time of ecstasy, of trances.Those who refuse to their senses the gift of trances shall wither.Brothers in trances, when will freedom come?They threw me out of my land and country.May my star shine. [. ....
Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.
Essays
Dec 12, 2012 — Even with limited resources, Christopher Nolan proved a force to be reckoned with in his thrilling, auspicious debut.
Aug 9, 2011 — Gillo Pontecorvo’s incendiary epic commemorates the popular uprising that had succeeded in ousting the French from Algeria in July 1962.
Jun 10, 2011 — Bringing Junichiro Tanizaki’s sprawling, elegiac historical novel The Makioka Sisters (1948) to the screen would seem an undertaking tailor-made for Kon Ichikawa. The renowned writer’s work was familiar territory for the veteran director, who had adapted the quirky Tanizaki novella...
Essays
Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...