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The War Is Over

Jul 17, 2019 In Spain, as Pedro Almodóvar was getting ready to leave home, no young man argued with his father about politics, no one wanted to discuss or refight the Civil War. Instead, the argument was about the length of your hair,...

Jul 10, 2019 En route to the Czech Republic’s Karlovy Vary Film Festival in the summer of 2006, I stopped off for some sightseeing in Prague. Having dutifully made the rounds of the city’s hopping tourist spots, I retreated to my bare-bones hotel...

Jul 3, 2019 Punk has been tamed, punk has been neutered, punk has been domesticated. The album The Stooges is fifty years old this August, and the music of omnidirectional bile and antiauthoritarianism that it anticipated has been museumified, the subject of a...

Jun 13, 2019 Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...

May 31, 2019 Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...

May 28, 2019 Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.

April Books

The Daily

Apr 3, 2019 This month’s round features Dalí’s Marx Brothers movie, Bergman family drama, Welles’s unpublished play, and more.

Feb 25, 2019 Songbook Pace Lou Reed, nobody’s life is saved by rock and roll in Cold Water. This in spite of  its young characters’ relentless pursuit of it, in both musical and metaphysical forms. Made in 1994, set in 1972, Olivier Assayas’s...

Critics Laud Roma

The Daily

Dec 10, 2018 Alfonso Cuarón’s latest scores best film awards from critics’ groups in Los Angeles, Chicago, San Francisco, Philadelphia, and Toronto.

Aug 26, 2018 Tomás Gutiérrez Alea brought cinema to the center of Cuban society with this richly ambiguous portrait of postrevolutionary Havana.

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