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The Room

Jul 24, 2012 Trained as a musician, Jean Grémillon became one of French cinema’s most lyrical artists. His most beloved films were made during World War II.

Oct 22, 2009 Sheila Heti of the Believer had a chance to talk to Agnès Varda during the Toronto International Film Festival—or rather, a chance to be one of a group of reporters whom Varda, at the festival with her film The Beaches...

W. C. Fields

Essays

Aug 28, 2000 The acclaimed humorist’s work sees the range of human folly sans romance and piety.

Jul 29, 2025 Mystery, intrigue, and illicit passion thrive in one of America’s most complex and expansive cities, captured in all of its glory in such crime thrillers as Out of Sight, Miami Vice, and China Moon.

May 25, 2022 Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

Nov 10, 2020 The coming-of-age drama is generally thought of as portraying adolescence—the sexual awakening, the high-school cliques, the angst about the future. At least that’s the assumption on which Hollywood has profitably based its avalanche of teen pics for lo these many...

Apr 24, 2015 Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.

Jan 21, 2014 Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.

Mar 27, 2012 Written in five or six days in 1941, in a seaside hotel where he had gone to get away from the Blitz, and by all accounts scarcely revised before being mounted some six weeks later, Noël Coward’s Blithe Spirit became...

Oct 18, 2009  So many worlds stream in from every direction in Monsoon Wedding that it comes to seem as if the whole globe is converging on a single family home in New Delhi: relatives from Houston, from Australia, from Dubai (“Muscat, actually”);...

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