Sep 24, 2015 The French Lieutenant’s Woman is a film with the look of a lush period piece and the structure of postmodern metafiction. When it came time to design the cover, we wanted something that would emphasize the ways the film makes...

Jul 7, 2015 Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...

Apr 30, 2015 A well-deserved profusion of obituaries has reported in detail the achievements of Richard Corliss as a film journalist.

Jul 15, 2014 Among the brainiest of all horror movies, David Cronenberg’s film goes beyond shock to investigate a disturbing world of psychic mutation.

Jun 24, 2014 One of the most important contributions Peter Davis’s Hearts and Minds makes to our national dialogue on the Vietnam War is its portrayal of ordinary Vietnamese. For years, the Vietnamese had been conspicuous by their absence in American film and...

Jun 23, 2014 Peter Davis’s provocative, Oscar-winning Hearts and Minds, released to the American public in 1974, is that rare documentary whose truths and relevance have been underlined and amplified by the passage of time. The title is derived from President Lyndon B....

May 19, 2014 As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.

Dec 3, 2013 This scathing drama about a toxic society established Elio Petri as an important director of popular political entertainment in Italy.

Sep 24, 2013 Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.

Jul 23, 2013 The Oscar-winning Babette’s Feast has a cinematic flavor unlike any other film. Director Gabriel Axel invites viewers to swoon over the sensual and spiritual experience of the climactic meal as if they were eating it themselves. By the end of...

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