The Criterion Collection
Jan 15, 2013 — Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was incomplete. Thirty years later, he set to work on his director’s cut.
Essays
Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...
Dec 11, 2012 — The climate change expert discusses how Godfrey Reggio’s films presaged widespread concern about global warming and warned about the dangers of consumerism.
Dec 11, 2012 — Philip Glass’s experimental operas and symphonic works of the 1960s and ’70s laid the groundwork for his hypnotic Qatsi scores.
Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.
Nov 13, 2012 — Moving to Chaucer’s gray-skied England, Pier Paolo Pasolini pushed his trilogy into darker realms.
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Essays
Sep 25, 2012 — No mere jigsaw movie, David Fincher’s thriller is also a nuanced character study, a satire of corporate culture, and a film about filmmaking.
Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.
Jul 24, 2012 — Trained as a musician, Jean Grémillon became one of French cinema’s most lyrical artists. His most beloved films were made during World War II.