The Criterion Collection
Jun 22, 2022 — The long, quietly tense opening minutes of L’eclisse offer a blueprint for filmmakers looking to craft a devastating breakup scene.
May 12, 2022 — New York’s Museum of the Moving Image presents a series of nineteen films shot by the accomplished cinematographer.
May 5, 2022 — Has Asian American cinematic representation really reached unprecedented heights, as almost all recent film coverage on the subject claims? In the past two years, critics’ polls, New York Times features, and Golden Globes scandals have marked the newfound success of...
Mar 28, 2022 — Rosine Mbakam’s documentaries are exercises in reconfiguring relations of power. Her first three nonfiction features are all portraits of Cameroonian women, each of whom is invited to participate in coconstructing a cinematic space of testimony, candor, and expressive autonomy. Filmed...
Feb 17, 2022 — Here’s a sampling of early critical response to this year’s winners.
Dec 3, 2021 — What do amphetamines, intellectual property, and Sour Belts have in common? They all correspond to a letter of the alphabet that structures the world of Don’t Go Tellin’ Your Momma, the short-film companion to musician and filmmaker Topaz Jones’s funk-infused...
The Daily
Nov 22, 2021 — The newly opened museum celebrates the centenary with a two-part retrospective.
Essays
Oct 26, 2021 — Considered his first directly political film, Satyajit Ray’s 1960 masterpiece explores how the denial of self-knowledge, a void neither religion nor Western rationalism can fill, takes a toll on women in Indian society.
The Daily
Oct 22, 2021 — An outstanding course on Kieślowski, the revival of a Sundance award-winner, and a couple of ranked lists are among this week’s highlights.
The Daily
Oct 20, 2021 — The late director of Canoa: A Shameful Memory aimed “to show people the real Mexico.”