The Criterion Collection
The writer and director pays tribute to the late Béla Tarr, shares his love for the way Andrei Tarkovsky merged poetry and cinema, and suggests watching a double bill of Black Girl and I Knew Her Well.
The writer, director, and producer praises Black Orpheus and Killer of Sheep as his favorite works of Black cinema, talks about the influence of Risky Business on his film House Party, and admires the depth of Bruce Lee’s performance in...
The actor shares his love for Stranger Than Paradise and Dekalog, talks about being both freaked out and deeply moved by The Tin Drum, and praises Richard E. Grant’s performance in Withnail and I as one of the best of...
The writer and director talks about being inspired by Gina Prince-Bythewood’s Love & Basketball at a young age, selects a pair of films that portray the human impact of war, and praises Nina Hoss's performance in Phoenix.
The actor and director praises Black God, White Devil as one of the most important Brazilian films ever made, talks about the complex humanity of Il Posto, and reflects on why Jean-Pierre and Luc Dardenne are his favorite filmmakers.
The writer and director returns to the Criterion Closet, where he talks about a moment from Black Narcissus that’s ingrained in his memory, shares what he loves about Max Ophuls and The Earrings of Madame de . . ., and...
The actor and director talks about being influenced by cinematographer Gordon Willis, shares his affection for Peter Sellers’s comedy style, and selects films he’s excited to see for the first time, like Amores perros and Shampoo.
The actor shares her personal connection to Blow-Up, talks about being inspired at a young age by Laura Dern’s performance in Smooth Talk, and takes home favorites like Hedwig and the Angry Inch and Secrets & Lies.
The composer, producer, and performer shares what he learned from La Bamba, talks about seeing his community reflected in Menace II Society, and praises the vibrancy of Black Orpheus.
The musician and actor talks about what makes Stan Brakhage’s films “very punk rock,” reflects on working with Jonathan Demme, and selects favorite films such as Black Girl and True Stories.