The Criterion Collection
Jan 18, 2011 — In his Life Studies poem “To Speak of Woe That Is in Marriage,” Robert Lowell wrote of “free-lancing out along the razor’s edge,” a lean, glamorous, tense phrasing that invokes the Samuel Fuller of the early sixties—a director suddenly without...
Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.
Nov 28, 2010 — “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...
Nov 26, 2010 — Early in Peter Bogdanovich’s The Last Picture Show, as the wind from the Texas plains whips the small town of Anarene, the high-school senior Sonny Crawford (Timothy Bottoms) halts his recalcitrant pickup truck—Hank Williams is warbling “Why Don’t You Love...
Nov 18, 2010 — In Charles Laughton’s The Night of the Hunter, terror and tenderness grapple with each other as profoundly as the words HATE and LOVE when they’re tattooed, one per hand, across the knuckles of the sadistic preacher Harry Powell (Robert Mitchum)....
Aug 17, 2010 — In his defiantly maverick directing career, which yielded only ten features in thirty-five years, Maurice Pialat (1925–2003) was a stimulant and irritant, agitating the cozy pool of French cinema. His first effort, the lyrically bitter short essay film L’amour existe...
Aug 9, 2010 — San Francisco filmmaker Terry Zwigoff’s first cinematic effort, the 1985 Louie Bluie, is a wry, ribald, and magical portrait of the country-blues string band player and irrepressible raconteur Howard Armstrong (a.k.a. Louie Bluie). This catchy, engaging sixty-minute documentary, a clattering...
Jul 27, 2010 — Americans got The Secret of the Grain. In France, they got La graine et le mulet (The Grain and the Mullet)—basically, “Couscous and Fish.” Depending on whose table you eat dinner at, the French title can seem as elemental as...
Jul 26, 2010 — The Story of a Cheat: Breaking the Rules While most filmmakers arrive at their profession already possessed of a vigorous love of cinema, Sacha Guitry saw the form, at least at first, as a necessary evil. Paris’s most popular and prolific...
Jul 19, 2010 — “Why do you want to dance?” “Why do you want to live?” A question followed by another question stands at the beating heart of The Red Shoes. It’s an entirely rhetorical exchange, but it underscores the power and the mystery...