The Criterion Collection
Essays
Jan 11, 1994 — A harrowing nightmare about life in inner-city hell, this 1993 sleeper-hit is a powerhouse filmmaking debut by the Hughes brothers.
Nov 19, 2020 — One Scene Acutely attuned to the drama of intimate relationships and interactions, writer-director-producer Sean Durkin mines their dynamics for his quietly simmering character studies. Best known for his feature debut, Martha Macy May Marlene, which premiered at Sundance in 2011 and...
Interviews
May 29, 2019 — In Anna Biller’s vibrantly colored fantasias, there’s not a glimmer of a sequin that hasn’t been envisioned by the artist herself. A writer, director, actor, producer, editor, composer, costume and production designer, and set decorator, she’s a one-woman studio, building...
Short Takes
May 24, 2017 — Cannes kicked off the 1980s with a Palme d’Or win for a giant of Japanese cinema entering the final stages of his career. Akira Kurosawa’s Kagemusha (the title of which literally translates as “shadow warrior”) follows a small-time thief who...
Short Takes
Aug 8, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors about what they consider to be the ten greatest works of cinema ever made and compiled the results. The...
The Daily
Oct 30, 2025 — The Portuguese filmmaker is on an informal tour of the U.S, presenting and discussing her work and influences.
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...
The writer and director reminisces about seeing Black Girl in the cinema with his mom as a child, shares how True Stories and Election influenced his approach to filmmaking, and talks about the emotional truth behind the visual artifice of...
On the Channel
Jan 30, 2023 — Celebrate Black History Month with a collection of films that survey African American history on-screen, a look at literary legend James Baldwin’s cinematic legacy, and a retrospective devoted to the independent trailblazer Oscar Micheaux.
On the Channel
Oct 29, 2018 — Professor Jeff Smith breaks down how François Truffaut’s loving tribute to the crime genre Shoot the Piano Player uses anamorphic widescreen compositions to stylish effect.