The Black Ghiandola

Feb 2, 2004 — A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema

Aug 20, 2001 — Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...

Aug 20, 2001 — Director Torben Skjødt Jensen discusses the "three aesthetic levels" with which he approaches his documentary portrait.

May 12, 2001 — Bertrand Tavernier’s adaptation is the story of a saintly madman in a world where the concepts of good and evil have no meaning.

Jul 17, 2000 — Designed to steam viewers’ glasses, Roger Vadim’s directorial debut boldly announced the arrival of Brigitte Bardot.

Nov 15, 1999 — Michael Powell’s controversial late film makes the cinema spectator’s own voyeurism shockingly obvious.

Jan 11, 1999 — This epic reimagining of medieval Russia was the most historically audacious production made in the twenty-odd years after Sergei Eisenstein’s Ivan the Terrible.

Mar 19, 1996 — “[He] loves to set his figures in action against greenish or purplish backgrounds, in which we can glimpse the phosphorescence of decay and sniff the coming storm.”—Charles Baudelaire, writing on Edgar Allan Poe What’s striking about Seven is that the...

Sep 24, 1992 — It was in 1947 that Vladimir Nabokov began writing what he described as “a short novel about a man who liked little girls.” Completed in 1954, the manuscript was rejected as pornographic by at least four New York publishers. Nabokov...

Jun 16, 1992 — Of the 18 movies made by the filmmaking team of Michael Powell and Emeric Pressburger, none was as personally and artistically fulfilling as The Tales of Hoffmann. This dazzling screen adaptation of the Offenbach opera—a visual, sonic, and sensual delight—marked...