Seven Samurai

Essays

Nov 22, 1999 Breathtaking, fastmoving, and overflowing with a delightfully self-mocking sense of humor, Akira Kurosawa’s Seven Samurai is one of the most popular and influential Japanese films ever made. Released in 1954, this rip-snorting action-adventure epic about a sixteenth-century farm community led...

Armageddon

Essays

Jun 21, 1999 Despite what you may have heard, Armageddon is a work of art by a cutting-edge artist who is a master of movement, light, color, and shape—and also of chaos, razzle-dazzle, and explosion. (It was no surprise to me to learn...

Vivre sa vie

Essays

Jan 7, 1997 Vivre sa vie, made in 1962, was the fourth of Jean-Luc Godard’s films. He had so far turned out a gangster-movie knockoff (Breathless), a dark political picture (Le Petit soldat), and a sort-of-musical comedy (Une femme est une femme). Now...

Cat People

Essays

Oct 18, 1994 Val Lewton’s cinematic diamond-in-the-rough has been recognized for decades as a definitive chiller, but it was conceived as a title, with no story or notion in mind, and as a way of generating cash for RKO.

Nov 30, 1991 Starring Jack Nicholson and Candice Bergen, Mike Nichols’s provocative drama is about sex without relationships and eroticism.

Aug 12, 1991 It is 1945. For the first time in four years, the Southern Pacific stops in Black Rock.  A one-armed man named John J. MacReedy (Spencer Tracy) steps off the train. This brooding stranger makes the few residents who inhabit the...

Jul 15, 1991 For only his second studio film, Peter Bogdanovich chanced directing an adaptation of Larry McMurtry’s elegiac novel about teenagers who come of age in a dying Texas town in the early fifties.

Jul 8, 1991 James Bond: “Do you expect me to talk?” Goldfinger: “No, Mr. Bond, I expect you to die!” Goldfinger, arguably the best of all the Bond films, features an outrageous plot with a very realistic sense of danger. The third James...

Jun 12, 1991 I didn’t get very far with my first script collaborator, Kuba Goldberg. Then Jerzy Skolimowski appeared on the scene.

May 20, 1991 In 1941, director Frank Capra was at the peak of his profession with a string of critical and popular successes behind him—next would come his adaptation of a farcical and macabre stage play.

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