The Criterion Collection
May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.
May 20, 2025 — A film about and against everything, this astonishingly original comedy attacks Big Brother, the bomb, and the incipient collapse of our planetary ecosystem, along with the lies that stop us from recognizing all of the above.
May 20, 2025 — Set in the dying days of the 1960s, Bruce Robinson’s semi-autobiographical tale of two unemployed actors is a triumph of screenwriting and a brilliant showcase for then-unknown stars Richard E. Grant and Paul McGann.
The Daily
May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.
On the Channel
May 14, 2025 — This month, dive into some of cinema’s most memorable swimming pools, dine across Europe with Steve Coogan and Rob Brydon, and watch out for that suave sociopath Tom Ripley.
The Daily
May 13, 2025 — Here’s a sampling of what we can look forward to in each of the festival’s programs.
Apr 30, 2025 — Elena Gorfinkel has written a new study of Loden’s groundbreaking feature and curated a season for the BFI.
Apr 29, 2025 — To commemorate the fiftieth anniversary of the fall of Saigon, the director of Three Seasons discusses a selection of landmark films that have shaped how we remember this devastating and divisive conflict.
Essays
Apr 29, 2025 — In this exuberant and moving portrait of a Brooklyn sex worker, Sean Baker draws on themes he has explored throughout his career, depicting the workaday grind of twenty-first-century American existence with biting humor and clear-eyed humanity.
Essays
Apr 29, 2025 — A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.