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Love Me No More

May 18, 2017 Loveless is “two hours of gorgeously gloomy existential despair courtesy of the well-regarded Russian filmmaker Andrey Zvyagintsev,” writes Justin Chang in the Los Angeles Times. “Often touted as an heir to Tarkovsky, Russian cinema’s other famously austere Andrey, Zvyagintsev previously...

Where Were We?

The Daily

May 17, 2017 Welcome to the first entry of the Daily at the Criterion Collection. For those of you who don’t know me, since 2003 I’ve been gathering links to essential—or simply fun—reading, news stories, and items of interest into a sort of...

Apr 25, 2017 After a string of ill-fated productions, Francis Ford Coppola channeled his feelings of self-doubt in this deeply personal take on S. E. Hinton’s beloved novel.

Apr 21, 2017 George Stevens’s Oscar-winning comedy captures the first sparks of attraction that ignited one of the great on- and offscreen romances in Hollywood history.

Apr 17, 2017 A group of Cuba’s most seasoned musicians became an international sensation upon the release of this acclaimed documentary portrait.

Apr 12, 2017 British director Jack Clayton elicited landmark performances from a host of great ladies of the cinema, including Maggie Smith, Deborah Kerr, and Anne Bancroft.

Apr 12, 2017 With a comprehensive retrospective of her work opening at New York’s Quad Cinema, Lina Wertmüller chats with us about her early days as a moviegoer and her collaborative process.

Anthony Asquith

Short Takes

Apr 10, 2017 Critic Peter Cowie pays tribute to a quintessentially English master, whose prolific career stretches back to the silent era.

Apr 10, 2017 An exhibition at New York’s Museum of the Moving Image explores Martin Scorsese’s creative process, his deep personal connection to his films, and his lifelong cinephilia.

Mar 22, 2017 A tragedian at heart, Shirley Stoler found her Medea in the role of a glowering bandit on the run in Leonard Kastle’s seedy true-crime drama.

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