Geu-hu

May 14, 2021 — The ten-episode adaptation of Colson Whitehead’s novel is a conscious “act of seeing.”

May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.

May 11, 2021 — When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...

May 10, 2021 — Over the next two weeks, Laurent Kretzschmar and Srikanth Srinivasan will present translations of the renowned critic’s dispatches.

May 5, 2021 — Many lucky enough to have worked with her remember the star who broke through in Moonstruck.

May 1, 2021 — Filmmaking, at its best, has always sought to bear witness to, and create new perspectives on, our lived realities. But no one has mined the eccentric possibilities of the cinematic medium to address the vertiginous social and cultural changes borne...

Apr 30, 2021 — One Scene Shatara Michelle Ford could not have made their first film without their filmmaking community, in addition to the sustained support and encouragement from members of their chosen family. Test Pattern—which is now available on Kino Now and Kino...

Apr 29, 2021 — Seven features in this year’s New Directors/New Films lineup premiered in Rotterdam’s Tiger competition.

Apr 28, 2021 — A black-and-white comedy about a mother-daughter team of grifters opens New Directors/New Films.

Apr 20, 2021 — 1. “I Felt Nothing” In September 2019, about halfway between claiming the Palme d’Or at Cannes in May and earning multiple Oscar nominations in January 2020, Bong Joon Ho’s Parasite was briefly upstaged by a movie from the director’s past....