Every Day

May 31, 2019 — Chinese poets and American and English novelists figure prominently in this week’s round.

May 30, 2019 — The star of classics directed by Kurosawa, Mizoguchi, Kinugasa, Ozu, Ichikawa, and Teshigahara was ninety-five.

May 29, 2019 — Once again, Lav Diaz and Takashi Miike did what they do; but the Fortnight also showcased a wide range of promising talent.

May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.

May 27, 2019 — The awards have been presented, the red carpet rolled up, and now we can gather a little perspective on this year’s competition.

May 24, 2019 — In the spotlight this week: Barbara Rubin, Chantal Akerman, Kenji Mizoguchi, Dominik Graf, and Tomás Gutiérrez Alea.

May 23, 2019 — One family infiltrates another in one of this year’s top critical favorites.

May 23, 2019 — Our survey of this year’s edition begins with the first animated feature to take the top award.

May 22, 2019 — Most critics won’t allow a comically absurd premise or a convoluted plot stand in the way of a good time.

May 22, 2019 — Everyone’s all in for the first two acts of this love letter to Los Angeles—but for many, the third is a deal-breaker.