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Mar 2, 2014 — The author shares his memories of the French filmmaker, who died on Saturday.

Jan 24, 2014 — Aki Kaurismäki first read Henri Murger’s Scènes de la vie de bohème in 1976. The highly influential 1851 book—an episodic novel about a group of starving artists that also inspired Puccini’s 1896 opera La bohème—captured the Finnish filmmaker’s imagination and,...

Jan 7, 2014 — Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.

Nov 29, 2013 — Did You See This?• Living Criterion covers • A lengthy detour with Edgar Ulmer • Re-creating Babette’s feast • Eleven great (mini) performances • A gateway cinema survey • Steve James to honor Roger Ebert on film • Mike Leigh...

Nov 5, 2013 — The author’s colorful interactions with the famously crusty filmmaker.

Oct 23, 2013 — If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

Oct 16, 2013 — Georges Franju deftly balances fantasy and realism, clinical detachment and operatic emotion, beauty and pain, all presided over by Edith Scob’s haunting, haunted eyes.

Oct 7, 2013 — René Clair, Fredric March, and Veronica Lake cast sensational spells in this screwball supernatural treat.

Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.

Sep 10, 2013 — Martin Ritt’s 1965 movie of John le Carré’s first great novel (and first best seller), The Spy Who Came in from the Cold, declares “a plague on all your houses” to capitalists, Communists, and ruthless intelligence operatives. It’s one espionage...