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May 8, 2018 — In his uncharacteristic final masterpiece, the great Hollywood melodramatist Frank Borzage approaches the shadowy violence of film noir with his unique brand of romanticism.

May 7, 2018 — And it’s May ’68 all over again in New York, D.C., and London. Plus Bergman in L.A., Tarkovsky in San Sebastián, and more.

May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.

May 3, 2018 — Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.

Apr 20, 2018 — “Jiri Trnka didn’t craft his puppet-cartoon shorts and features merely to imitate life,” writes Michael Sragow for Film Comment. “His endlessly original and inventive movies incorporate life, or transcend it. Trnka insisted that he was ‘local,’ and drew many of...

Apr 19, 2018 — With a mix of improvisation, balletic physicality, and slapstick humor, Hollywood master Leo McCarey crafted the most sublime of screwball comedies.

Apr 18, 2018 — This morning, the Cannes Film Festival posted an announcement listing eleven new films that had been added to this year’s lineup. Then the announcement was yanked. Radio silence for hours. Now the announcement’s back up again. So let’s have a...

Apr 18, 2018 — Sofia Coppola lets us behind closed doors in ways that are beyond the imagining of the novel’s boy narrators.

Apr 18, 2018 — Before we lost Milos Forman and Vittorio Taviani over the weekend, the Slovak Spectator reported that Juraj Herz, the Czech actor and director best known for his 1968 film The Cremator, had passed away at the age of eighty-three. Just...

Apr 17, 2018 — The seventeenth Tribeca Film Festival opens tonight in New York with Love, Gilda, Lisa D’Apolito’s portrait of beloved comic actress Gilda Radner, and screens around one hundred more features before wrapping on April 29. Throughout the festival’s run, I’ll be...