The Criterion Collection
Aug 16, 2017 — French New Wave icon Jeanne Moreau possessed a stillness, a way of surrendering to the camera, that made her utterly unique among modern actors.
Aug 8, 2017 — This underappreciated highlight of Michael Curtiz’s filmography grapples with postwar disillusionment and marital strife through the prism of a daylight noir.
Aug 2, 2017 — Writer-director Michael Almereyda spoke with us about his two latest films and the passions that continue to fuel his creative life.
The Daily
Jul 6, 2017 — We open today’s round, considerably briefer than yesterday’s, with Ridley Scott double feature—of sorts. Movie City News alerts us to an article by Scott himself that originally appeared in the August 1979 issue of American Cinematographer: “I felt that Alien...
May 31, 2017 — Long difficult to see, this transgressive silent masterpiece draws on a wide range of aesthetic influences to push against the boundaries of film form.
Essays
May 23, 2017 — In one of the first major films to confront the contemporary refugee crisis in Europe, Jacques Audiard brings a genre-busting approach to an explosive subject.
Features
May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.
Apr 27, 2017 — In his latest film, director Daniel Raim explores the legacy of two Hollywood veterans whose highly influential six-decade career has long gone unsung.
Apr 20, 2017 — Programmer Michael Sragow and former Film Society of Lincoln Center program director Richard Peña discuss the holy grail of cinephile TV series and the legendary figures it profiled.
Essays
Mar 28, 2017 — In his first English-language feature, Michelangelo Antonioni examines the elusiveness of the real through the lens of a murder mystery.