The Criterion Collection
The Daily
Apr 16, 2020 — Olivia Laing and Rebecca Mead find restorative consolation in the writing of the renowned filmmaker, painter, and gardener.
The Daily
Feb 1, 2018 — The Tracking Board’s Jeff Sneider hears from “multiple sources” that Clint Eastwood—seen above in Gran Torino (2008)—is “circling” The Mule, a project based on Sam Dolnick’s 2014 article for the New York Times Magazine about Leo Sharp, a ninety-year-old courier...
Sep 18, 2017 — The wide-open vistas of Montana are the backdrop for three interlocking stories about women confronting the disappointments of small-town life.
Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Aug 21, 2012 — Andrew Haigh’s boy-meets-boy story reminds us that the biggest pleasures of falling in love come from the little moments of connection.
Essays
Jun 3, 2002 — By any standard, The Horse’s Mouth shines as an outstandingly personal work from a decade that often seems the most arid in British cinema. Amid tepid comedies and timid thrillers, it sparkles with conviction and eccentricity—at least that’s how it...
The Daily
Feb 29, 2024 — Film Forum presents two-week series featuring two dozen films, many of them screening from rare 35 mm prints.
Features
Aug 10, 2023 — “You’re the company I waited so long for,” Dr. Rosetta Stone (Tilda Swinton) says to her three Self Replicating Automatons in Teknolust (2002), artist Lynn Hershman Leeson’s sci-fi farce about a scientist’s well-meaning pursuit of artificial life. Stone’s color-coded clones...
The Daily
Apr 1, 2023 — This week: Heart-stopping stunts from Harold Lloyd and Michelle Yeoh plus writing on Dziga Vertov and Kenji Mizoguchi.