Like a French Film

Apr 27, 2009 — Stephen Frears’s gangland drama subverts its genre by removing its villains to an alternate mythic universe, that of the western, as its protagonists traverse the roads that snake through Spain’s arid hills and plains.

Apr 23, 2009 — These profiles of the real-life Sada Abé and the actress who portrayed her in Nagisa Oshima’s In the Realm of the Senses first appeared in Donald Richie’s 1987 book Different People: Pictures of Some Japanese, and can also be found...

Nov 19, 2008 — My first trip to Paris took place inside the darkened cafeteria of Warnsdorfer Elementary School in East Brunswick, New Jersey. A few times each year, the entire student body was brought together to watch movies cast from a rickety 16...

Emerging in France during the 1930s, this movement combined working-class milieus with moody, proto-noir art direction to stylishly represent contemporary social conditions.

Oct 6, 2008 — Jean-Pierre Melville’s ninth and to that point most commercially successful feature in France, was an important watershed in the director’s career.

Jun 16, 2008 — Claude Sautet occupies a unique place in French cinema. Although he directed some of the biggest hits of the seventies and worked with some of the biggest stars, few critics considered him an “auteur” in his lifetime. Paradoxically, it was...

Mar 17, 2008 — During the Second World War, when Hiroshi Teshigahara was a schoolboy, Japan’s cities—above all his hometown, Tokyo—were mercilessly firebombed. He, and his future associates in countless artistic undertakings, returned to a landscape of bleak ruins. The adolescent Hiroshi was particularly...

Feb 18, 2008 — Actor and writer Linda Sandoval met Alex Cox in 1983, when her husband, Miguel Sandoval, was cast in Repo Man (she recalls that Cox phoned to say he had good news and bad news: the bad news was that Miguel...

Jan 21, 2008 — While Agnès Varda was prescient in picking up on the new social phenomenon of France’s young female drifters, she also anticipated the culture of extreme individualism that has come to dominate Western society since the 1980s.

Sep 17, 2007 — G. W. Pabst’s adaptation of the play by Bertolt Brecht transforms the original without betraying it, softening its cynicism with humanity and integrating elements of psychoanalysis.