The Criterion Collection
The Daily
May 19, 2022 — As Tchaikovsky’s Wife premieres in competition, the Russian director fields questions about cultural boycotts.
May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.
The Daily
May 13, 2022 — It wasn’t always smooth going for Max Ophuls, Mike Hodges, or Irrfan Khan.
The Daily
May 11, 2022 — Before Qiu’s award-winning feature opens in theaters, the National Museum of Asian Art will present an online retrospective.
The Daily
May 10, 2022 — The director of Ex Machina and Annihilation returns, and many critics have questions.
The Daily
May 9, 2022 — Waters has written his first novel, and a collection of Mueller’s writing has just been reissued.
The Daily
May 6, 2022 — This week: Tarkovsky’s answer to Kubrick, the Otolith Group, Brooklyn filmmakers, German scenes, and Béatrice Dalle.
The Daily
May 5, 2022 — A coincidental set of screenings and openings almost seems to be responding to the impending reversal of Roe v. Wade.
The Daily
May 4, 2022 — The twenty-fifth edition offers lavish decadence, experimental poetry, and timely poignance.