Come rubammo la bomba atomica

Jan 31, 2023 — In this shape-shifting exploration of creativity, couplehood, and artistic influence, Mia Hansen-Løve offers a glimpse at the existential heavy lift required by her deceptively simple autofictions.

Jan 30, 2023 — The festival is sending around two dozen award-winners out into an uncertain marketplace.

Jan 24, 2023 — Filled with evocative images and guided by the unique aesthetic sensibility of the landlocked kingdom of Lesotho, Lemohang Jeremiah Mosese’s film is an exploration of the power of grief that is paradoxically uplifting.

Jan 24, 2023 — The German contingent is strong: Margarethe von Trotta, Christian Petzold, Angela Schanelec, Christoph Hochhäusler, and Emily Atef.

Jan 19, 2023 — The frequent collaborators talk about their close friendship, the paths that led them to each other, and the artistic values they share.

Jan 17, 2023 — One of contemporary cinema’s most provocative filmmakers launched his career with three deeply unnerving, deliriously genre-blending portraits of Europe.

Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.

Jan 9, 2023 — We gather some of the best recent writing on the National Society of Film Critics’s choices for the best films of 2022.

Jan 9, 2023 — The films in the Criterion Channel collection Free Jazz chronicle the development of a deeply experimental music that has baffled and enthralled listeners in equal measure.

Dec 14, 2022 — Anthology Film Archives presents a series of films that “are—explicitly or implicitly—reworkings of earlier films.”