The Criterion Collection
The actor shares his love for Stranger Than Paradise and Dekalog, talks about being both freaked out and deeply moved by The Tin Drum, and praises Richard E. Grant’s performance in Withnail and I as one of the best of...
The actor praises performances by Holly Hunter and Naomi Watts, reminisces about how Paris, Texas changed her understanding of cinema, and talks about Mike Leigh’s films as works of operatic tension.
The actor talks about Steven Soderbergh’s use of nonlinear storytelling in Traffic, shares how Sid & Nancy continues to inspire him as a performer, and praises the visual poetry of Drugstore Cowboy.
The musician and actor talks about what makes Stan Brakhage’s films “very punk rock,” reflects on working with Jonathan Demme, and selects favorite films such as Black Girl and True Stories.
The writer, director, actor, and cocreator of Hacks talks about how Being John Malkovich informed his sense of storytelling, praises Vanya on 42nd Street as one of the best productions of Anton Chekhov’s work, and admires Steven Soderbergh’s unique approach...
The actor talks about feeling immersed in The Tree of Wooden Clogs, praises Small Axe as an “extraordinary piece of work,” and suggests that all film lovers see every film by Akira Kurosawa.
The actor and star of Babygirl expresses his love for the films of Lino Brocka, praises his costar Nicole Kidman’s performance in To Die For, and talks about being influenced by such filmmakers as Mike Leigh and Harmony Korine.
The actor and star of Christophe Honoré’s Marcello Mio talks about the power of political films disguised as comedies, such as To Be or Not to Be and Divorce Italian Style; shares her love for Japanese horror cinema; and reminisces...
The actor joins the director of his new film The Piano Lesson in the Criterion Closet, where they shout out the importance of Menace II Society, reflect on the beauty of Jacques Demy and Agnès Varda’s artistic relationship, and praise...
The actor and star of Anora talks about Five Easy Pieces and being drawn to morally ambiguous characters, praises Isabelle Huppert’s performance in The Piano Teacher as one of the greatest of all time, and selects Take Out, one of...