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Young America

Aug 22, 2018 Festivals from New York to London, from Busan to San Sebastián, are finalizing their lineups.

Feb 12, 2018 In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Sep 19, 2016 If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.

Mar 8, 2016 Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.

Apr 17, 2012 When it was first released in 1977, ¡Alambrista! depicted something previously unseen in American fiction films—the lives of undocumented Mexican immigrants from their point of view. Though writer-director-cinematographer Robert M. Young was not Latino and didn’t speak Spanish, his film convincingly...

Oct 22, 2009 Almost a decade ago, Catherine Breillat, one of contemporary cinema’s great provocateurs, gave us Fat Girl (À ma soeur!), a disturbing and graphic look at the pitfalls of adolescent sexuality from the point of view of a pair of young sisters....

Oct 20, 2008 Costa-Gavras’s film pointedly raised issues that for many people were only dimly in the air at the time, and which have become more and more unavoidable in recent years, as the United States has openly assumed its imperial role.

Sep 11, 2025 For J. Hoberman, the film “more than makes the case for Fonda’s centrality in the American imaginary.”

Jan 4, 2023 New York’s Film Forum presents three recently restored short films that capture the writer in Istanbul, Paris, and London.

Sep 29, 2022 This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.

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