The Criterion Collection
Essays
May 15, 2000 — Horror movies take place in their own territory. The trick is to get us there. It doesn’t matter whether they start with fantastic premises and gothic settings, or with ordinary neighborhoods and daily experience, because the places and assumptions change...
Essays
Jul 21, 1998 — Samurai III, Duel at Ganryu Island, is the last and best part of Hiroshi Inagaki’s Trilogy. In contrast to the earlier, more action-oriented Samurai I and II, this final section shows its hero Musashi (Toshiro Mifune) struggling with questions as...
The Daily
Nov 4, 2025 — The director of La commune and The War Game shook up viewers with dramatizations historical conflicts and imminent futures.
The Daily
Jan 17, 2024 — Steven Soderbergh contemplates writing his first novel, while Keanu Reeves already has; plus notes on Barbara Stanwyck, noir, and more.
Dec 3, 2013 — This scathing drama about a toxic society established Elio Petri as an important director of popular political entertainment in Italy.
The Daily
Jul 8, 2024 — The other big winner in Karlovy Vary is Lilja Ingolfsdottir, whose Loveable takes home five awards.
Features
Apr 2, 2017 — What defines noir acting? In her latest Dark Passages column, Imogen Sara Smith examines the stylistic variety in some of the genre’s most iconic male performances, including Burt Lancaster in The Killers and Ralph Meeker in Kiss Me Deadly.
The Daily
Feb 8, 2018 — “Is there a full-length feature film in the dramatic but blink-and-it’s-over incident of three young Americans subduing a heavily armed terrorist determined to kill as many people as possible on a Paris-bound fast train two years ago?” asks the Hollywood...
Essays
Jan 20, 2015 — Here he is: the real, unreal Guy Maddin, in his phantasmagorical, polymathic stew of sex, memory, and dreams.
Oct 16, 2006 — Screenwriter Carlos Cuarón delves into the character played by Luis De Icaza.