The Criterion Collection
Essays
Apr 28, 2008 — It’s a fascinating tradition of children’s fiction that Albert Lamorisse’s film continues, evoking an Edenic world of children and animals living in harmony—one very far away from where we are.
Nov 19, 1989 — Almost as long as they’ve been able to talk, films have been able to sing and dance. Frequently high-style, often rapturously romantic, most musicals have nonetheless been content to remain light, sophisticated entertainment. Still, there has always been a minority...
On the Channel
Sep 30, 2020 — Genre fans rejoice! October kicks off with a ’70s Horror series and the head-spinningly eclectic films of the New Korean Cinema.
The Daily
Mar 9, 2026 — The comprehensive retrospective can be a daunting prospect, but programmer David Schwartz has spotlit five essential features.
The Daily
Dec 20, 2024 — Along with conversations with Jem Cohen and Johnnie To, the week brings fresh angles on the year that was.
Apr 13, 2018 — Soviet filmmaker Sergei Parajanov explored his Transcaucasian roots in this visually spectacular and wonderfully strange ode to the Armenian poet Sayat-Nova.
Dec 8, 2015 — In Speedy, Harold Lloyd, a comic genius who thought of himself as a quintessentially average American man, places his optimistic everyman character within the context of a society in shift, to great comedic effect.
Features
Dec 22, 2013 — The author reflects on his interactions with the great filmmaker.
Nov 21, 2005 — Why would ambitious filmmakers simply film an opera? Many admirers of the work of Michael Powell and Emeric Pressburger have assumed that their decision to make The Tales of Hoffmann, in 1950, was in some way an admission by the...
The Daily
May 8, 2026 — Film Comment relaunches, Richard Kelly writes, Lynne Ramsay prepares, and in 1976, Roberto Rossellini talked.