The Criterion Collection
The Daily
Jun 21, 2017 — New York. Having run through the festival circuit for months now, João Pedro Rodrigues’s The Ornithologist now begins its theatrical run on Friday at the IFC Center and the Film Society of Lincoln Center before heading out to select theaters...
The Daily
May 23, 2017 — “He was the epitome of the suave English gent, quipping sweatlessly in a bespoke three-piece suit, who enjoyed an acting career spanning eight decades,” writes Benjamin Lee for the Guardian. “On Tuesday, Roger Moore’s children announced his death at the...
Jul 12, 2016 — Herk Harvey’s influential, low-budget horror classic Carnival of Souls is an eerie exploration of the mutability of place and the purgatorial state of dreaming.
Production Notes
Jan 15, 2016 — The filmmaker and cinematographer had a lifelong commitment to the camera and how it could be used to foster dialogue and action.
Features
Nov 3, 2015 — We present an excerpt from the book David Lynch: The Man from Another Place, by Dennis Lim.
Essays
Dec 16, 2013 — Here at last comes the time of ecstasy, of trances.Those who refuse to their senses the gift of trances shall wither.Brothers in trances, when will freedom come?They threw me out of my land and country.May my star shine. [. ....
Mar 22, 2011 — In 1985, deep into the twelve-year reign of the Reagan-Bush administration, Rob Epstein mounted a Hollywood stage with Richard Schmiechen, both men resplendent in tuxedos. Epstein was only twenty-nine years old. The director had just made history, with producer Schmiechen,...
Sep 26, 2023 — Brett Morgen’s portrait of David Bowie is a free-associative hybrid of pop history and imaginative extravaganza—impressionistic, eclectically allusive, and, above all, immersive.
Features
Aug 28, 2019 — 1. Before he became a filmmaker, D. A. Pennebaker’s ambition was to play stride piano like Fats Waller. “What changed your mind?” I asked him. “Well,” Penny replied, “after I saw Fats play . . . ” Penny would have...
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...