The Contact

Oct 25, 2013 — "I“m not acting,” stage star Myrtle Gordon (Gena Rowlands) tells her bemused director after a violent episode with her ghostly muse in Opening Night. That’s a loaded claim to be making in a movie that so conclusively smudges the line...

Mar 6, 2013 — The great documentarian Allan King burst onto the scene in 1967 with Warrendale, a primal scream of a film set in an experimental Toronto home for emotionally disturbed children. With its fly-on-the-wall approach, this “actuality drama,” as King termed it,...

Jun 18, 2012 — Theater’s ultimate autobiographer, Spalding Gray, and cinema’s invisible-man auteur, Steven Soderbergh, teamed up for an eye-opening movie monologue.

May 28, 2026 — In his delightful and engrossing new memoir Flashbacks: A Passion for Film, Peter Cowie brings to vivid life the era we have come to know as the golden age of art-house cinema, an astonishing period in the growth and distribution...

Oct 23, 2024 — This once-maligned horror film is an unsparing exploration of sexual violence, remarkably centered on a complex, fully realized female protagonist, played courageously by Barbara Hershey.

Sep 19, 2011 — When Claude Chabrol’s first film, Le beau Serge, had its premiere at the 1958 Cannes Film Festival (out of competition), a fellow critic at Cahiers du cinéma, François Truffaut, wrote: “Technically, the film is as masterly as if Chabrol had...

Aug 12, 1991 — It is 1945. For the first time in four years, the Southern Pacific stops in Black Rock.  A one-armed man named John J. MacReedy (Spencer Tracy) steps off the train. This brooding stranger makes the few residents who inhabit the...

Oct 1, 2018 — A breathtaking, rarely screened vérité document encapsulates the social and aesthetic sea change that transformed France in the spring of 1968.

Dec 6, 2011 — One of the delights of Alfred Hitchcock’s comic thriller is the wit with which it pins down a distinctly British insular mindset.

Feb 5, 2019 — Shame (1968) is one of the great neglected films from Ingmar Bergman’s midcareer creative explosion. It builds on and surpasses the two Bergman films that immediately preceded it: the avant-garde milestone Persona (1966) and the surreal shocker Hour of the...