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The Chamber

Jul 12, 2024 With an inexplicable, irresistibly magnetic charm, she immediately drew our attention—and won our hearts.

Dec 7, 2017 “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Karlovy Vary 2017

The Daily

Jun 30, 2017 “Founded in 1946 and situated in the picturesque Czech spa town,” the “Karlovy Vary International Film Festival (KVIFF) is seen as one of the most prestigious events on the circuit,” writes Orlando Parfitt at the top of his preview of...

Aug 20, 2001 Before Lars von Trier, Krzysztof Kieslowski, Andrei Tarkovsky, Ingmar Bergman, Robert Bresson there was Carl Th. Dreyer. The first great film artist to pursue the ineffable in cinema, Dreyer gave depth to what early silent filmmakers innately understood yet took...

Oct 29, 2001 Peter Medak’s stinging satire is unashamedly theatrical, emerging from a fascinating period in English culture when theatre and cinema together were mining a rich vein of flamboyant self-analysis.

Apr 23, 2001 A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.

Jul 22, 2018 Sex, shame, and sibling rivalry: actors Andie MacDowell and Laura San Giacomo talk about capturing the layers of conflict and taboo in Steven Soderbergh’s debut feature.

Sep 5, 2017 “If the only thing we wanted, or expected, a horror film to do was to get a rise out of you—to make your eyes widen and your jaw drop, to leave you in breathless chortling spasms of WTF disbelief—then Darren...

Jun 1, 2017 Earlier this spring, Ryuichi Sakamoto gave an exquisitely intimate concert at the Park Avenue Armory in New York. Surrounded by a small audience in the venue’s opulent Veterans Room, the renowned Japanese composer was positioned in the center of the...

Winter Light

Essays

Aug 18, 2003 Ingmar Bergman’s chamber film is his most concentrated inquiry into the significance of religion, and of Lutheranism specifically.

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