The Criterion Collection
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
On the Channel
May 3, 2018 — Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
Features
Dec 20, 2017 — In her latest column, critic Imogen Sara Smith explains how cinematographer Henri Decaë brought a risk-taking spirit and seductive allure to some of the most iconic French crime films.
Jun 27, 2017 — After nearly a decade of honing his craft, Alfred Hitchcock firmly established his reputation with this silent thriller.
Nov 8, 2016 — This adaptation of one of the most influential series in manga history is a delirious mix of breathtaking swordplay and pop vulgarity.
Sep 28, 2016 — The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.
Sep 13, 2016 — Kenji Mizoguchi achieved the sublime with this structurally complex portrait of artistic ambition and female subjugation.
Sep 12, 2016 — During a research mission to Spain, Criterion web producer/researcher Valeria Rotella takes a day trip to the medieval desert town of Chinchón, where Orson Welles is rumored to have shot Chimes at Midnight and The Immortal Story.
Jun 2, 2016 — Kings of the Road is the most “roadish” of Wenders’s road movies, a film about travel as a form of escape for two German men and the transitory bond they form along the way.