Tears of the Sun

Jan 19, 2018 — “With issues of women’s equality, sexual misconduct, and political turmoil heavy on the movie world’s mind, Sundance Film Festival Director John Cooper said he wanted to start the 2018 edition with a movie that’s ‘fun to the point of sassy,’”...

Sep 17, 2019 — Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...

Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...

Jun 6, 2017 — Once again, we open an entry with a tip from Catherine Grant, the new twelfth issue of Cine-Files, a special commemorative issue “dedicated to the films and artistic legacy of Jacques Rivette and Chris Marker.” Editor Mary Wiles: “Both directors,...

Aug 3, 2022 — Film at Lincoln Center’s retrospective ranges from silent classics and intimate melodramas to sprawling westerns and historical epics.

May 21, 2019 — Claire Denis’s Let the Sunshine In (2017) is one of the great films about middle-aged loneliness, specifically—though not exclusively—as women feel it. It’s not a dating movie, though there’s dating in it. And it’s not a feeling-sorry-for-oneself movie, though there are...

Mar 5, 2019 — In his final years, the Mauritanian filmmaker was thrilled to see his work reaching new audiences.

May 6, 2018 — Cannes 2018 One of the major highlights of the ongoing, year-long celebration of the 100th anniversary of the birth of Ingmar Bergman will be the presentation of a 4K restoration of The Seventh Seal (1957) as part of this year’s...

Feb 11, 2020 — How might four history-making Oscars impact movies from here on out?

Feb 6, 2018 — “A jolt of a movie, Black Panther creates wonder with great flair and feeling partly through something Hollywood rarely dreams of anymore: myth.” So begins Manohla Dargis in the New York Times. “Most big studio fantasies take you out for...