The Criterion Collection
The Daily
Jul 16, 2017 — “Legendary filmmaker George A. Romero, father of the modern movie zombie and creator of the groundbreaking Night of the Living Dead franchise, has died at 77,” reports Tre’vell Anderson for the Los Angeles Times. “Romero died Sunday in his sleep...
The Daily
May 18, 2017 — “Todd Haynes’s films, intellectually rigorous and often profoundly moving, are fractured stories in which alienated, beautiful characters try to find love (or a certain likeness) in the delicate folds of real life,” begins David Ehrlich at IndieWire. “All of this...
Apr 10, 2017 — In this 1964 television interview, Jacques Demy defends his use of wall-to-wall singing and Michel Legrand takes to the piano for a few bars from one of his most famous compositions.
Nov 14, 2016 — For his first foray into romantic comedy, Paul Thomas Anderson worked closely with Jon Brion on a score that combines melodic orchestration with startling dissonance.
Sep 28, 2016 — “King of the Nudies” Russ Meyer injects his transgressive exuberance into this big-studio send-up of Hollywood debauchery.
Features
Aug 14, 2016 — While considered to lie outside the highly policed boundaries of film noir, films like Douglas Sirk’s Written on the Wind and Powell and Pressburger’s The Red Shoes nevertheless share many of noir’s stylistic and thematic tropes.
Essays
Apr 27, 2016 — In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.
Sneak Peeks
Nov 27, 2015 — From on-the-run crime dramas to swooning tales of love and loss, the films of French director Julien Duvivier marry beautiful camera work and an expressive, often poetic use of music and sounds. The dream sequence that opens the story in...
Jul 23, 2014 — Jacques Demy’s miraculous, melancholy musical is the rare film to use pastiche and artifice to go straight for the heart.
Jul 8, 2013 — With its marvelous, distinctive camera work, Kenji Mizoguchi’s searing drama is as technically remarkable as it is humane.