The Criterion Collection
Mar 13, 2000 — The following is excerpted from The Shifting Point, Peter Brook’s 1987 autobiography. All I wanted was a small sum of money, no script; just kids, a camera, and a beach. A young American, Lewis Allen, felt that private backers could...
Essays
Dec 4, 1995 — While Carol Reed’s psychological noir is the most compassionate of movies, it’s a poetic summary of twentieth century harshness—of what can be called the inhuman condition.
Essays
Mar 5, 1990 — Vittorio De Sica’s neorealist masterwork is one of the greatest portraits of old age and loneliness ever brought to the screen.
The Daily
Aug 18, 2025 — Further winners in Locarno include White Snail, God Will Not Help, and Tales of a Wounded Land.
The Daily
Jul 2, 2020 — New issues of photogénie, Comparative Cinema, and SCMS+ take on an array of raging crises.
Features
May 4, 2020 — “You’ve never seen prairie grass with the wind leaning on it, have you, Diz?”Jean Arthur asks this poetic, expressively peculiar question of Thomas Mitchell in Frank Capra’s 1939 Mr. Smith Goes to Washington, and we understand her yearning for truth...
The Daily
Sep 13, 2018 — Michael Moore takes on Trump, Werner Herzog meets Gorbachev, and Astra Taylor asks a big question.
Jun 5, 2017 — Known for playing sexy noir toughs, Ralph Meeker underwent a startling transformation as the anguished, slovenly male lead in Jack Garfein’s psychological drama.
Essays
Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.