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Nov 30, 2017 New York. With The Non-Actor, a Film Society of Lincoln Center series programmed by Dennis Lim and Thomas Beard, running through December 10, J. Hoberman writes a brief but rich history of the notion for the New York Review of...

Nov 23, 2017 Considering how reticent David Lynch can be when it comes to talking about his work, Daniel Fienberg’s fared pretty well in his conversation with him for the Hollywood Reporter. At one point, they discuss the stamina it takes to direct...

Nov 20, 2017 “Charles Manson, the hippie cult leader who became the hypnotic-eyed face of evil across America after orchestrating the gruesome murders of pregnant actress Sharon Tate and six others in Los Angeles during the summer of 1969, died Sunday after nearly...

Nov 16, 2017 “Hong Sang-soo has a reputation for being a tricky interview, and he knows it,” writes Darren Hughes in the Notebook. But if anyone can get Hong talking, it’s Hughes. Take a look at this page. Gathered here are some of...

Nov 6, 2017 “One of the disorientations of where we’re at—the obliterative sucking splotch of a present tense in which we now all live—is that it feels simultaneously like a malign mischance and like something we should have seen coming a mile off,”...

Oct 26, 2017 Senses of Cinema has launched a podcast and topics discussed in the first episode (62’45”) include Denis Villeneuve’s Blade Runner 2049, Jacques Tourneur, and the Mexican narco wars onscreen. And speaking of Blade Runner, Cinematologists Dario Llinares and Neil Fox...

Oct 17, 2017 One of the very best podcasts out there, You Must Remember This, is back with a new season, “Bela and Boris.” Karina Longworth introduces the first episode, “Where the Monsters Came From” (41’40”): “Bela Lugosi and Boris Karloff were two...

Aug 22, 2017 BBC Culture has polled 253 film critics from fifty-two countries to come up with a list of the “100 greatest comedies of all time.” Nicholas Barber argues the case for the film that’s come out on top, Billy Wilder’s Some...

Aug 18, 2017 “The last time I saw Poison [1991] it shocked me,” Todd Haynes tells Rory O’Connor at the Film Stage, “and it demonstrated to me a different side of myself, of my history, of our history as a culture, as a...

Aug 17, 2017 “My first job out of UCLA Film School, at age twenty-two, was directing second unit on The Night of the Hunter for Charles Laughton.” So begins a collection of memories, pre-production sketches, and screenplay pages at the Talkhouse Film from...

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