The Criterion Collection
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Features
Aug 28, 2019 — 1. Before he became a filmmaker, D. A. Pennebaker’s ambition was to play stride piano like Fats Waller. “What changed your mind?” I asked him. “Well,” Penny replied, “after I saw Fats play . . . ” Penny would have...
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.
The Daily
Jul 12, 2019 — This week: Michael Mann, Peter Strickland, Pedro Almodóvar, Luc Moullet, and a forgotten chapter of film history.
The Daily
Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.
The Daily
Jun 14, 2019 — On the late Peter Whitehead, Jordan Peele’s Us, drag culture, European refugees, and images of incarceration
May 28, 2019 — Nadine Labaki’s jury has selected an eclectic range of award winners from this year’s program.
The Daily
May 15, 2019 — The star-studded zom-com has been met with a first round of mildly appreciative reviews.
Production Notes
Jan 31, 2019 — Trailblazer Elaine May altered the landscape of comedy and screenwriting, and in the three films she directed in the 1970s—A New Leaf (1971) , The Heartbreak Kid (1972), and Mikey and Nicky (1976)—she brought a fresh, often uncomfortable perspective to the portrayal of...
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...