Propaganda

Aug 7, 2018 — Can creative genius flourish on the federal dime? Animator Norman McLaren’s remarkably innovative, government-funded films suggest it can.

Jul 10, 2018 — The martial-arts film was never the same after King Hu got his hands on it, reinventing the genre with subtle editing and dazzling choreography.

Jun 13, 2018 — Can a screenwriter influence—even change—the course of film history? With his script for Rashomon (1950), Shinobu Hashimoto, who turned 100 this year, did just that. The film launched its director—Akira Kurosawa—to world fame and brought international audiences to the glory...

May 20, 2018 — A lifelong movie collector remembers the thrill of discovering the granddaddy of all monsters on Super 8.

May 12, 2018 — An urgent dispatch from the conflict in eastern Ukraine is winning plaudits from critics.

May 3, 2018 — Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.

Apr 20, 2018 — Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7....

Apr 9, 2018 — “Most famous for the exquisite 1979 family classic The Black Stallion, and, to a slightly lesser extent, 1996’s Jeff Daniels and Anna Paquin-starring drama Far Away Home, [Carroll] Ballard is—despite making only six films in a period of almost forty...

Feb 24, 2018 — New York. The Film Society of Lincoln Center and the Museum of Modern Art have announced the complete lineup for the forty-seventh New Directors/New Films festival, opening on March 28 with Stephen Loveridge’s Matangi/Maya/M.I.A. and closing on April 8 with...

Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...