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On en rêvait

Dec 12, 2017 Before turning to the cities, we have a bit of festival news. The Locarno Festival, whose seventy-first edition will run from August 1 through 11, has announced that its “major Retrospective will be dedicated to three-time Oscar winner Leo McCarey...

Nov 5, 2017 New York. “It’s probably pure coincidence that BAM is presenting a week of Sam Shepard films right as the Metrograph screens five days of Dennis Hopper–directed titles,” writes Bilge Ebiri. “No two actors of their generation better expressed the modern...

Oct 28, 2017 New York. “It’s an idea so good,” writes Farran Smith Nehme in the Village Voice, “you can’t believe no one did it before: a book about the deep and abiding friendship between Henry Fonda and James Stewart, true legends of...

Aug 11, 2017 Nicholas Bell calls The Beguiling Bujold, the series of films starring Geneviève Bujold running at the Quad in New York through Wednesday, “a cherry-picked bushel of cinematic delights featuring a bevy of renowned international auteurs,” among them, Alain Resnais, “who...

May 29, 2017 A biting satire of haute-bourgeois French society, Jean Renoir’s 1939 The Rules of the Game is beloved for the intricacy of its construction and the mixture of tenderness and irony with which it views its characters. Set just before the...

Jun 15, 2016 Although afflicted by on-set drama and offscreen tragedy, Jean Renoir’s La Chienne shows the director’s early mastery of sound cinema and features the trademarks that would come to define his style.

Feb 3, 2015 Jean-Luc Godard returned to the character-driven intensity of his earlier films with this satirical but serious-minded take on men, women, and money.

Apr 27, 2014 A leading light of commedia all’italiana, Dino Risi specialized in fleet, satirical takes on contemporary Italian culture, and this road-trip smash was his most trenchant.

Sep 9, 2013 As outré as it is, the most subversive thing about this classic farce is its take on what’s normal.

Dec 5, 2012 The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

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