The Criterion Collection
Aug 31, 2011 — French sociologist Roger Caillois proposed that every form of human recreation could be placed somewhere on a continuum between two terms: ludus and paidia. The first of these represents games defined almost wholly by their rule systems. Crossword puzzles and...
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...
Nov 12, 2025 — In this Sundance-award-winning exploration of war and memory, writer Cathy Linh Che shines a spotlight on her parents, who were Vietnamese refugees living in the Philippines when they were cast as extras in Apocalypse Now.
May 30, 2025 — The director discusses her path from neuroscience to cinema and the childhood memory that inspired her short August Visitor, a film about culture and intergenerational understanding.
Essays
Apr 29, 2025 — Drawing from a rich tradition of films that depict the lives of sex workers, Sean Baker’s Oscar-winning triumph takes a complex approach to exploring the fundamentally transactional nature of human relationships.
Aug 28, 2024 — United by a meditative approach that captures the spiritual bounty of the natural landscape and the tolls of physical labor, this Mexican director’s films challenge stereotypical depictions of his country’s rural communities.
The Daily
Jun 4, 2021 — The festival returns with a full-to-bursting official selection that includes an entirely new program.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Dec 20, 2017 — Amid the tumultuous family dynamics on display in Arnaud Desplechin’s A Christmas Tale, Emmanuelle Devos delivers a performance of remarkable subtlety and lyricism.
Nov 7, 2017 — A haughty socialite is torn between the affections of three men in George Cukor’s blissful comedy of manners.