The Criterion Collection
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Sep 17, 2019 — Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...
The Daily
Sep 11, 2019 — Following his landmark collection of photographs, The Americans, Frank made essential films about the Beats, the Stones, and his own personal tragedies.
The Daily
Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.
The Daily
Aug 20, 2019 — With The Hired Hand, Fonda created a classic of the new era ushered in by Easy Rider.
Jul 19, 2019 — In 1983, filmmaker Martin Bell, photographer Mary Ellen Mark, and journalist Cheryl McCall undertook to make a documentary about the lives of homeless and runaway teenagers in Seattle, expanding on the work that Mark and McCall had done for a...
The Daily
Jul 11, 2019 — The great Italian actress worked with Truffaut, Fellini, Antonioni, Losey, Dassin, Bava, and Robert Wise.
The Daily
Jul 8, 2019 — Ben Barenholtz and Milos Stehlik helped shape the tastes of generations of cinephiles.
The Daily
Jun 26, 2019 — After Franju’s Eyes Without a Face, the French actress starred in films by Duvivier, Buñuel, Ruiz, Rivette, Assayas, and Hansen-Løve.
Features
May 2, 2019 — “To begin with, Gone with the Wind is a woman’s story . . . Mr. Cukor, one of Hollywood’s finest directors and the man who has directed Hepburn and Garbo in some of their best, is known as a woman’s...