The Criterion Collection
Essays
Jul 16, 2019 — When Alan J. Pakula began preparing for the production of Klute (1971), he screened a lot of Alfred Hitchcock films. He looked at Notorious and admired Ingrid Bergman’s work. He revisited Strangers on a Train, struggling with the climactic merry-go-round...
Jun 18, 2019 — Bruno Dumont’s remarkable first feature examines the intermingling of the sacred and the profane in the French provinces.
May 24, 2019 — Elia Suleiman, who returned to Cannes this year with his latest film, talks with us about comedy as a form of political resistance.
May 23, 2019 — Performances Those who have recently discovered Kim Minhee will know her as the magnetic actress in Park Chan-wook’s lascivious thriller The Handmaiden, in which she made the clinical act of tooth-filing a new form of eroticism, and in Hong Sangsoo’s...
Apr 15, 2019 — She was known as “a professional innocent”—until Persona (1966) revealed a complex emotional intelligence.
Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.
Essays
Mar 21, 2019 — “The world is full of skeptics,” Detour’s Al Roberts struggles to explain, in voice-over, while on-screen we’re pondering Vera’s dead body. “I know. I’m one myself . . .”Even now, closing in on seventy-five years after the Producers Releasing Corporation...
The Daily
Mar 18, 2019 — The artist and pioneering lesbian filmmaker leaves behind paintings, writings, nearly eighty films, and a grant for aspiring filmmakers.
Jan 29, 2019 — In the Heat of the Night (1967) opens with an air of mystery, of outsiderness winding its way into the small town of Sparta, Mississippi, a place that right away seems heavy with a sense of what belongs and what...
The Daily
Jan 23, 2019 — Checking in on how the nominees are currently faring with critics and awards prognosticators.