The Criterion Collection
Essays
Nov 19, 2019 — In 1989, film critic Raphaël Bassan coined the term cinéma du look. Describing a tendency in French cinema that had begun in the early eighties and would continue into the nineties, Bassan identified commonalities in the work of Jean-Jacques Beineix,...
May 23, 2019 — Performances Those who have recently discovered Kim Minhee will know her as the magnetic actress in Park Chan-wook’s lascivious thriller The Handmaiden, in which she made the clinical act of tooth-filing a new form of eroticism, and in Hong Sangsoo’s...
May 8, 2019 — Songbook “The very first time I saw a picture of [Charles Starkweather], I knew I was looking at the future. His eyes were a double zero. There was just nothing there. He was like an outrider of what America might...
The Daily
Apr 17, 2019 — Showcasing new work by filmmakers at the forefront of nonfiction and hybrid cinema, this year’s edition also pays tribute to three vital groundbreakers.
Apr 1, 2019 — The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.
The Daily
Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.
In Theaters
Sep 20, 2018 — Travel back to the height of Beatlemania and the swinging sixties with Richard Lester’s infectious rock-movie classic A Hard Day’s Night, screening this weekend at the American Cinematheque.
Aug 20, 2018 — A haven for punks and drifters, 1980s downtown New York is captured in all its grit and romance in Susan Seidelman’s Palme d’Or–nominated debut feature.
The Daily
Aug 13, 2018 — Looking back on the highlights of the seventy-first edition.
Jul 27, 2018 — In one of the most stunning technical feats in their filmography, directors Michael Powell and Emeric Pressburger envisioned a conveyance that sends souls into the great beyond.