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November Books

The Daily

Nov 12, 2024 Innovative metafictions and fresh readings of classic novels arrive along with books on Robert Kramer, Terrence Malick, and Nora Ephron.

Mar 18, 2024 Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Jun 22, 2023 Our latest slate of programs dives into one of science fiction’s favorite themes, the film career of one of rock and roll’s greatest icons, and midcentury pulp from across the Atlantic.

Apr 19, 2022 Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.

Feb 17, 2023 Born and raised far from the centers of power in the movie industry, writer-director Glen Pitre began his career in the 1980s as a DIY filmmaker, showing his homemade productions to audiences in his native Louisiana. But when a powerful...

November Books

The Daily

Nov 23, 2022 Featured in this month’s roundup: Maya Deren, Joyce Chopra, Michael Almereyda, Nabokov, Pasolini, and Miyazaki.

May 12, 2020 In the early 1950s, director John Sturges, then under contract at MGM, read a condensed version of Paul Brickhill’s memoir The Great Escape, which details the mass escape of downed fighter pilots from the German prisoner-of-war camp Stalag Luft III...

Jan 24, 2018 We begin with Rolling Stone’s David Fear: “Pick any random song by the Coup—we suggest ‘Fat Cats, Bigga Fish’ from their 1994 album Genocide & Juice, or ‘My Favorite Mutiny’ from 2006’s Pick a Bigger Weapon—and you'll get complex anti-corporate...

Sep 18, 2013 This chapter about director Richard Linklater’s beginnings, from the 1996 book Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, is by the former producer’s representative, creator and host of IFC’s Split Screen, and...

Feb 13, 2024 Through its echoes, resonances, and intricately branching stories, this cycle of films evokes the feeling that life, like the weather, is based on patterns too complex to ever be fully predictable.

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