The Criterion Collection
Oct 23, 2012 — After winning an Oscar, John Schlesinger used his newfound artistic freedom to make a personal film in which homosexuality is treated as groundbreakingly ordinary.
The Daily
Oct 12, 2023 — The director completes her “trilogy on Italian identity” by offering an outsider’s point of view.
The Daily
Jun 2, 2026 — Gorin will discuss films he’s selected as well as his own work and his collaborations with Jean-Luc Godard.
Apr 28, 2026 — In April 1992, John Singleton was en route to the set of his second film when he heard the verdict on the radio. A predominantly white jury had acquitted four police officers who, a year earlier, had been caught on...
On the Channel
Apr 16, 2026 — This month, take a peek at movie history through the prism of the ’80s: our collection of the decade’s best remakes and the originals that inspired them reveals an era of wild reinventions and sly revisionism.
On the Channel
Nov 18, 2025 — This December, make yourself at home in some of cinema’s most memorable hotels, celebrate Julianne Moore’s bracingly human performances, or explore the trailblazing debuts of Black women filmmakers.
The Daily
Nov 10, 2025 — Olivia Laing’s second novel is set in mid-1970s Rome, where Fellini is shooting Casanova and Pasolini is at work on Salò.
The Daily
Oct 2, 2025 — The festival presents new films from Gianfranco Rosi, Kahlil Joseph, Laura Poitras and Mark Obenhaus, and Lucrecia Martel.
The Daily
Aug 20, 2025 — He locked eyes with audiences in films by Pasolini, Soderbergh, Frears, Stephen Elliott, and Edgar Wright.
May 21, 2025 — The exiled American director of Try and Get Me! and Hell Drivers depicted crime and violence as the inevitable results of capitalist competition.