The Criterion Collection
Nov 28, 2010 — “What we need are good old American—and that’s not to be confused with European—Art Films.” So declared the then twenty-nine-year-old beatnik Method actor Dennis Hopper in an unpublished 1965 manifesto. “The whole damn country’s one big real place to utilize...
The Daily
Aug 31, 2021 — Here’s the latest on projects in the works from Bille August, Hou Hsiao-hsien, Paolo Sorrentino, and Ildikó Enyedi.
Apr 9, 2018 — Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.
The Daily
Sep 20, 2017 — New York. “Like a modern character from Crete’s ancient Minoan culture, trailblazer artist Joan Jonas weaves symbols and media to transfigure feminist and psychological themes,” writes Mónica Savirón for BOMB. “Her work juxtaposes sculpture, painting, film, video, and performance as...
Jan 23, 2006 — Ingmar Bergman was enjoying one of the happiest spells of his life while making The Virgin Spring (1960). On a personal level, he was felicitously ensconced in his fourth marriage, to the concert pianist Käbi Laretei. And, professionally, he was...
Aug 30, 2017 — Paul Schrader’s First Reformed premieres in Competition in Venice before screening in the Masters program in Toronto, and the New Yorker’s Richard Brody finds it to be “a fierce film; Schrader, one of the crucial creators of the modern cinema...
The Daily
Dec 23, 2022 — A roundup of holiday reading featuring Ingmar Bergman, Hou Hsiao-hsien, Damien Chazelle, Ernst Lubitsch, and Carolee Schneemann.
Short Takes
Jul 14, 2016 — On what would have been the director’s ninety-eighth birthday, we revisit a selection of essays, photo galleries, and videos that explore his iconic oeuvre.
Mar 13, 2004 — With uncharacteristic warmth and affection for human frailty, Ingmar Bergman raises the question of how love can possibly last forever.
Dec 6, 2022 — Known for their austerity and shocking moments of violence, the Austrian director’s first three films cultivate a kind of humanism in their dogged refusal to coddle the viewer.