The Criterion Collection
The Daily
Jan 19, 2018 — Before we turn to the features and series that haven’t been made yet, we’ve got two items worth making note of here. First, as Wellesnet editor Ray Kelly reports, “The Other Side of the Wind had its first screening on...
Short Takes
Mar 23, 2017 — With a monumental body of work spanning nearly six decades, thirty feature films, and a staggering array of styles and genres, Akira Kurosawa has been a cornerstone of our collection since we released Seven Samurai as our second Criterion edition...
Features
Dec 22, 2013 — The author reflects on his interactions with the great filmmaker.
Apr 24, 2012 — An unverifiable, if heartfelt, assertion: For the quarter century between 1945 and 1970 (or from Rome Open City to Fellini Satyricon), the world’s greatest popular cinema was produced in Italy—a realm of glamorous superstars, sensational comedians, and great genre flicks....
The Daily
Jul 8, 2022 — This week: Juliette Binoche’s work with Krzysztof Kieślowski and Claire Denis, post-Berlin School German cinema, and Tom Cruise’s “immaculate superstardom.”
Dec 4, 2018 — Twelve episodic works and seventy-three shorts will premiere in Park City, while Rotterdam shines its spotlight on Parajanov and Godard.
The Daily
Jul 18, 2018 — A new podcast from Trailers from Hell, three hours on Yojimbo, and more.
The Daily
Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...
The Daily
Jan 9, 2018 — Guillermo del Toro’s The Shape of Water has scored twelve British Film Academy Awards (BAFTAs) nominations, followed by Martin McDonagh’s Three Billboards Outside Ebbing, Missouri and Joe Wright’s Darkest Hour with nine each, and Denis Villeneuve’s Blade Runner 2049 and...
The Daily
Nov 7, 2017 — “Many aspects of time, from the dry precision of date and hour to the flights of remembrance and regret, are distilled in a single scene from Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943),” writes...