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Sep 29, 2003 — “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...

Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...

Widely revered as the Master of Suspense, the celebrated director revolutionized popular cinema with his psychosexual thrillers and meticulously plotted mysteries, which often feature icy blondes and macabre men.

The pioneering video game designer throws a spotlight on treasures of 1950s and ’60s Japanese cinema, including Yasujiro Ozu’s Tokyo Twilight and Nobuo Nakagawa’s Jigoku.

May 27, 2026 — This year brought restorations of Ken Russell’s The Devils and docs on Vittorio De Sica, Chris Marker, David Lean, and Bruce Dern.

Oct 3, 2025 — Among them are the latest from Claire Denis, the return of Daniel Day-Lewis, and a dazzling restoration.

Sep 16, 2025 — A portrait of a new generation of feminist consciousness in the New York art world, Lizzie Borden’s first film project spikes with a persistent friction between the filmmaker and her documentary subjects.

May 2, 2025 — Audiences carry on flocking to Sinners, but few have seen either version of The Comeback Trail.

Sep 12, 2024 — In celebration of our fortieth anniversary, Criterion has built a replica of our famous films closet inside an eighteen-foot delivery van, and later this month, we’ll be taking our Criterion Closet Picks show on the road.

Oct 2, 2020 — The Lady Eve, from 1941, is my favorite of all of Preston Sturges’s comedies. I would wager to say that it’s Barbara Stanwyck’s best performance, though I also love her in Double Indemnity and Forty Guns. Heck, I love her in everything she’s in. But...