The Criterion Collection
Nov 19, 1989 — Almost as long as they’ve been able to talk, films have been able to sing and dance. Frequently high-style, often rapturously romantic, most musicals have nonetheless been content to remain light, sophisticated entertainment. Still, there has always been a minority...
The Daily
Mar 23, 2026 — The Ukrainian director will be taking questions about Two Prosecutors, The Trial, My Joy, and Donbass.
Jul 22, 2025 — An era-defining reckoning with the sexual revolution, Mike Nichols’s controversial drama develops a rigorous form for analyzing what we have recently come to call “toxic masculinity.”
Essays
Aug 18, 2022 — With an obsessive attention to detail and tiny gestures, Ronald Bronstein’s debut feature film turns the tale of one neurotic Brooklyn man into a furious work of personal cinema.
The Daily
Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.
Essays
Sep 30, 2020 — Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Jan 13, 2008 — Certainly one of the wildest, most original, and most instinctive movie stars turned auteurs in the Hollywood annals, Cornel Wilde made procedurals of uncivilized survival, in a visual syntax that ranges from comic-strip splat to outright gut punch.