The Criterion Collection
Essays
Apr 30, 2024 — The gentle rapport between actors Lili Taylor and River Phoenix fuels this humane examination of American masculinity, a film that showcases the nuanced and compassionate approach of director Nancy Savoca.
Features
Apr 29, 2024 — From After Hours to Mikey and Nicky to Collateral, movies centered on the twists and turns of a single night give filmmakers the chance to boldly experiment with cinematic time and space.
On the Channel
Apr 17, 2024 — Three of this month’s programs blast back to the turbulent midcentury moment when old Hollywood gave way to something new.
The Daily
Apr 9, 2024 — In Steven Zaillian’s eight-episode series, Andrew Scott gives us what many find to be the definitive Tom Ripley.
The Daily
Apr 8, 2024 — ND/NF introduces New Yorkers to two family dramas, a Bulgarian thriller, and a Russian road movie.
Mar 26, 2024 — In Gus Van Sant’s wickedly funny tale of suburban depravity, Nicole Kidman plays a vacuous weather reporter whose hunger for fame anticipates our own era of digital celebrity.
The Daily
Mar 7, 2024 — The Austin festival presents action-heavy Headliners, creepy Midnighters, and promising Competition contenders.
Feb 20, 2024 — I have, over time, become wary of and impatient with the word authentic, especially when it’s too casually and blithely deployed, as it often is these days, to defame or diminish someone or something based on arbitrary standards of what...
On the Channel
Feb 14, 2024 — Among the highlights of this month’s programming are a selection of notorious Golden Raspberry Award winners, Isabella Rossellini’s Green Porno series, and a collection of extreme and virtuosic Method performances.
Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.