The Criterion Collection
Essays
Oct 18, 2022 — Kiyoshi Kurosawa’s hypnotic serial-killer film dives into the realm of the uncanny and envisions the breakdown of Japanese society.
The Daily
Oct 13, 2022 — Denis’s second film of the year split the critics when it won a Grand Prix in Cannes—and it’s still splitting them now.
Oct 11, 2022 — Frank Capra’s flamboyant farce—his only black comedy—finds an uncharacteristically frenetic Cary Grant surrounded by a clan of genteel maniacs.
On the Channel
Sep 29, 2022 — This October, we’re summoning our demons with an expansive collection of ’80s horror and a roundup of Universal monster movies.
The Daily
Sep 7, 2022 — The first reviews are in for new films by Martin McDonagh, Joanna Hogg, Emanuele Crialese, and Koji Fukada.
The Daily
Jun 16, 2022 — The Film at Lincoln Center retrospective features seventeen new restorations overseen by the director himself.
The Daily
May 10, 2022 — The director of Ex Machina and Annihilation returns, and many critics have questions.
The Daily
May 3, 2022 — A Melbourne Cinémathèque series of double bills spotlights Lang’s penchant for drilling into the darkest recesses of human nature.
The Daily
Apr 15, 2022 — This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.
Mar 22, 2022 — In Robert Aldrich’s epic disaster film, James Stewart leads a pack of temperamentally different men as they struggle to survive in the face of the unknown—a template that would go on to influence Hollywood blockbusters for decades to come.